The Granary Critic

Friday, August 22nd, 2008

I sweep your mouthless eructation,
your flagellant,
those slippery balms,
usurping and usurping and usurping these walls.
- now sound your tactical retreat! -

O how the the mice, flickshod
and burning, trip their dizzy intertrigo,
their rabid ears fructose poised
and manticore fleetfoot.
Your shivering hulk,
massaged.

Pirouetting dayglo bindweed cartwheels slipshod.
Then prizefighter Rosselini kicks the rushes,
which kick back, sukahara-referent,
(albeit with a steady beat, drumming,
on the coast-to-coast cat’s giant span, dirigible.)

: O who needs this?
What alms must we beg?
Why muzzle the firework when all diversions are signposted
so pointlessly?
and we just sit here
staring, glued, dripping,
prissily dormant but neatly segmented
as though this is the trick to tolerate.
But your mothless draught includer - how does it fare?
- no better or worse.

Do you need this?
Are you aware?
Back in the formative days the bell-nosed Kraut wore strides
and looked a treat in his bifocal ripcords,
but growing inside a stranger oven boiled,
stalactite crusted,
Polyanna hosepiped,
Tyrolean horsewhipped,
Cauliflower badelynged.

and all for the sake of a lentil
(or some other pulse).

Mark Welsh

Josephine/Creeping Hoopla/The Mayflower Courgette

Friday, August 22nd, 2008

In a blue-stained room
the dog’s antennae twitch
corded flukes of skin
through blackened doors
of melting eggshell.

Beyond the floor the negro dances pipework and lumber,
training dusty torsos
to materially economise
(Although their oxen disgracefully pilfer).

Underlay.

Abdominally challenged ocelot seeks hypothetically triptych polecat.
Carotene deficient warmongerer braves arctic roll.
Couperin: “Who baited the forest swell?”
Concrete synthetic pillows burgeoning fractal.

Underlay, Underlay.

Back in the house (chorus)
maverick dogspoons high tail it
unaware of the lycra wallpaper
and its ability to sense a paradox
or are they bluffing . . . ?

It doesn’t matter, because skeptics parade, no wait . . .
Skeptics parade delicate parasols of LED membrane
and the audience doesn’t seem to know how to locate its
favourite camera,
more importantly,
their fins are coffee-stained.
How. . .

Mark Welsh